Australian artist Lisa Lerkenfeldt’s multi-disciplinary work embraces musique concrète, environmentalism, noise, found objects and the cinema of Marguerite Duras in the composition and imagining of her live post-digital, post-industrial landscapes. Concerned with intimacy and technology her performances and recordings employ feedback, electronics, objects and field recording to generate new experiences in sound and gesture.
She has exhibited sound and performed at Supersense Festival, MPavilion, Liquid Architecture, Melbourne Fashion Week, Mona Foma and Gertrude Contemporary. She is also a member of noise duo, Perfume.
29° is a suite of modern classical instrumentation and experiments on magnetic tape. The piece explores the duality of the wind through a season of field recording summer storms at a post-industrial beach.
Listening is cinematic, like a landscape unfolding. My field recordings are a collection of perceptions.