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Lau Nau (Laura Naukkarinen) composes music for films, theatre and albums, makes workshops and sound installations and travels around the world performing. In her work she combines electroacoustic approaches, found objects, field recordings, folk instruments, classical instruments, analogue synthesisers and her own voice. Her music is imbued with a cinematic breadth of vision and her idiosyncratic, finely honed sound world builds on fragile, spectral otherness. She has been nominated for various prestigious prizes in her home country Finland and won the main Femma prize 2018 with her fifth album Poseidon, released in Europe, USA and Japan.
Artist notes:
The piece is recorded at Elektronmusikstudion EMS in Stockholm with their big Buchla 200 system in 2018. I was there for a short residency studying how to compose the changes in the Baltic Sea into music. This composition is inspired by how the biomass of plankton vary in the Baltic depending, for example, on the entering saline pulses from the North Sea, the oxygen levels and the temperature of the water. The work has been supported by The Arts Promotion Centre Finland, Taike.
Damn this album hits hard, really goes to show how much of a serious illness alzheimer’s/dementia is. Stage 3 is especially amazing yet horrifying. jayjayboi
This has become one of the most important albums of my life. It’s essence is indescribable. Every sound from the start of the record through the end is placed delicately and with care. The album cover is by Julie Mehretu. It’s absolutely an incredible release for which I shall be eternally grateful. Aniket
Beautifully played and full of moving vocal performances, the Bay Area singer/songwriter's latest is a stellar work of art. Bandcamp Album of the Day Feb 3, 2023